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Macho, maker, market dominant: Picasso celebrates in 2023

Pablo Picasso died 50 years ago on April 8th. In 2023, museums around the world will commemorate one of the most researched artists, about whom there is still something new to say.

Pablo Picasso is considered one of the most productive and versatile artists of all time. In seven decades he created thousands of paintings and sculptures in a wide variety of styles. 

The works by the Spanish-born artist continue to achieve some of the highest sales at auctions worldwide. Paintings such as “Seated Woman at the Window” were sold at Christie's in New York in May 2021 for 103 million dollars (98 million euros), in 2015 the oil painting “The Women of Algiers” was auctioned for the then record sum of 179 million dollars.


 

On the 50th anniversary of his death on April 8, 2023, a transnational international cultural program will start. Under the motto “Picasso Celebration 1973-2023”, special exhibitions are planned not only in Spain, his country of birth, but also in his second home France, Germany and the USA.

While his artistic genius is undisputed, in the course of the #MeToo movement his dealing with women is increasingly being discussed. 

Prodigy of painting 

Picasso will become on 25. Born October 1881 in Málaga, Andalusia. His father, Don Jose Ruiz y Blasco, is an artist and makes a living painting animals, mostly pigeons, and teaching art. His son learned to draw from him at the age of only seven.


At the age of 13, Picasso began his studies at the Escola de la Llotja, the art school in Barcelona where his father also taught. Just two years later he paints his first large-scale oil painting for an exhibition in the city, “The First Communion”. The work is already considered a first masterpiece. 

In 1897 Picasso moved to the Real Academia de Bellas Artes de San Fernando in Madrid. During this time he also dealt intensively with the paintings of Diego Velázquez, Rembrandt, Jan Vermeer and Francisco de Goya in the Prado Museum. At the beginning of the 1900s, the young artist was drawn to Paris, the capital of the avant-garde. 

Picasso worked in creative periods 

Picasso's artistic output can be divided into different phases. 

The first phase, known as the Blue Period, lasted from 1901 to 1904 and is widely believed to have been marked by the suicide of Picasso's close friend, the Spanish artist Carlos Casagemas, triggered. The first painting of this period, “The Death of Casagemas” (1901), is emblematic of the somber mood and shades of blue that characterize this period. 

This is followed by the Pink Period (1904-1906), in which Picasso's color palette consists of pink, light blue and orange. The portrait of Gertrude Stein, which he paints shortly after meeting the American writer in one of her salons, also dates back to this period. 

It was during this phase that Picasso also met  Fernande Olivier, a French artist , who later becomes his muse and lover. 

Turning to Cubism 

With the painting “Les Demoiselles d'Avignon” (1906-1907), Picasso achieved world fame and is celebrated as a pioneer of modern art. The bizarre distortion of the female body shapes shatters all previous notions of perspective. The painting is considered to be groundbreaking for the style of cubism.

Together with his painter friend Georges Braque, Picasso continued to develop cubism in the following years. “Girl with a mandolin” (1910) and “Still life with a bottle of rum” (1911) fall into this period. 

Statement against the war 

One of the most famous works was created in 1937: “Guernica” is still considered the most important anti-war painting of all time, a synonym for the suffering of the civilian population in the Spanish Civil War. Picasso painted it as a reaction to the bombing of the small Basque town of the same name in northern Spain the  German Condor Legion, sent by Adolf Hitler to train in Spain for the Blitz. 

Although “Guernica” has Cubist elements, it also marks the painter's turn to Surrealism. 

Other anti-war works are “Das Beinhaus” (1944-45), which deals with the Holocaust, and “Massaker&nbsp ;in Korea” (1951) and the image of the dove, which became the symbol of the peace movement. 

Toxic masculinity  

In recent years – also in the course of the #MeToo movement – Picasso's attitude towards women, especially his lovers, has been examined more closely. Picasso's treatment of women needs to be recontextualized in his work, writes Shannon Lee, American art commentator, in Artspace magazine. “Picasso himself remarked that his entire oeuvre can be divided into seven distinct styles, each documenting his relationship with the seven women in his life – Fernande Olivier, Eva Gouel, Olga Khokhlova, Marie-Thérèse Walter, Dora Maar, Françoise Gilot and Jacqueline Roque”. 

Picasso, Lee continues, “brought an exceptionally miserable life to pretty much every woman he pretended to love.” 

Lee also quotes Picasso's granddaughter Marina, who in “And Still a Picasso. Living in the Shadow of My Grandfather” (2001) notes: “He subdued her to his animal sexuality, tamed her, bewitched her, sucked her up and crushed her on his canvas. After nights of extracting her essence, he discarded her as soon as she bled dry were.” 

Picasso depicted himself as a mythical Minotaur in several of his paintings; his muses are victims of his bestial aggression. 

Francoise Gilot, an artist whom Picasso falls in love with while still in a relationship with the photographer Dora Maar, is seen as the exception to the rule. With her he has two children, Claude and Paloma. Gilot is believed to be the only woman who left Picasso. 

At the age of 81 Picasso married his second wife, Jacqueline Roque, 46 years his junior. They live together in southern France until his death. Shortly after his death she commits suicide. Picasso works until the end obsessed. In 1972, the artist seems to foreshadow death: he creates a series of self-portraits in which he replaces his head with a mask that sometimes takes on the appearance of a skull.  

Picasso died on April 8, 1973 in Mougins near Cannes. 

Adaptation from the English: Dagmar Breitenbach.

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