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Sex Sells: How the advertising women marketed

The woman as object of desire – a common cliché in the advertising industry. To the marketing of products, photographers erotisieren the female body. An exhibition examines the advertising aesthetics of the last decades.



“Sex Sells” is one of the oldest myths in the advertising industry. The group exhibition, “Women on View: the Aesthetics of Desire in Advertising” in the “gallery 36” in Berlin focuses on how the woman was portrayed over the decades in advertising.

To see photographs of some of the most well-known fashion and advertising photographers. The pictures are to illustrate the drawing the erotic from a female body in Western advertising and its influence on society is critical.

Neither the feminism of the 1970s, the debate around #MeToo were able to finish the drawing the erotic from a female body in advertising. From the early product advertising in the 1940s through to the Hyper-sexualized female forms in the 1990s: There are still scantily clad and unrealistically perfect female form on television and computer screens, billboards and the glossy pages of magazines.

The methods of the sexualised advertising

The sociologist Esther Loubradou published in conjunction with the exhibition, a study of the impact of sexualised advertising. Loubradou shows that attract attention, only works, if an ad gets a reaction of our brain. Sexualised advertising seems to meet all of these requirements, because it encourages emotional areas of the brain, taboos exceeds and basic needs responsive.

Photo by Christophe Gilbert for a campaign for Levi’s

Some of the photographs in the exhibition come from the world of fashion, but only. Other products, such as alcohol or perfume, make ads with women in provocative poses. Ads from to advertise explicitly for a product, much more of a feeling of life to sell you.

Nowadays, the Internet spread images in a rapid pace, and brands and advertisers are compelled to fight even harder for attention. This race has led to taboos, particularly in the world of fashion photography.

Photographers such as Terry Richardson, show women in poses that felt by many critics as perverse and exploitative. Richardson’s career collapsed in on itself, as the #MeToo-advent movement. Now the photographer of a series of sexual abuse allegations. Richardson, but also other photographers such as Mario Testino or Bruce Weber, you have added to the reputation of the fashion industry.

Feminism in advertising photography?

Women in the industry, like the German photographer Ellen von Unwerth, claims to have a feminist access to the theme: “The women in my paintings are always strong, even if they are sexy. My girls look self-confident. I’m trying to make you look as nice as possible, because every woman wants to be beautiful, sexy and powerful feeling.”

The #MeToo movement has brought over a year ago, a new discourse on gender justice. But this also can change the advertising world? A rethinking seems to be far away. Every third promotional image, which shows a woman, must be seen as sexualised.

The exhibition “Women on View: the Aesthetics of Desire in Advertising” is up to 27. To see April in the gallery 36 in Berlin.


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