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11 remarkable films on the subject of AIDS

In 1981, AIDS was officially defined as a disease. A decade later, a wave of films set in. We introduce you to “120 BPM”, one of the best works on the subject and look at the current movie “Sorry Angel”.



France in the mid 1980s when The country is rocked by a blood scandal. There are many Dead. The topic of AIDS is no longer overlooked after an early Phase of social displacement. The French Film “120 BPM”, looks back in those years, was celebrated in 2017 at the Cannes film festival as one of the best posts. At the end of 120 BPM got “” the “Grand Jury prize”.

AIDS is, for many French Directors of a topic

Between 1983 and 1995, died in France, around 30,000 people with AIDS. About this time, as in our neighbouring country, the people had to more and more with the consequences of immunodeficiency triggered by HIV, André Téchiné already turned out ten years ago, a movie. “We are witnesses” were celebrated in the February 2007 world premiere at the Berlin film festival. “We were witnesses,” was prominently occupied among other things with Michel Blanc, Emmanuelle Béart. In his home country, the Film got the prestigious award “Prix Louis Delluc”.

However, “We were witnesses,” came in spite of good reviews in Germany, never in the cinema. Ten years later, téchiné’s compatriot Robin Campillo has, once again, with that time, and the spreading AIDS epidemic in France apart – a Director’s concept. The Director relies on Stars and something transfiguring-melancholy mood and scenes in the beautiful South of France, venues, how it was done Téchiné.

“120 BPM” goes under the skin

With largely unknown performers Campillo has staged an impressive and very emotional Film: “120 BPM” goes under the skin. In the Original Film “120 battements par Minute” (120 beats per Minute) Campillos – for both the fast rhythm of the film, as well as for the sense of life of young people.

The Central question in “120 BPM”: What to do with the paralysis in society?

At the film festival in Cannes, the Jury of the festival in the past year, deeply impressed and gave the contribution that was previously been used as a co-favorite for the Palme d’or traded, the “Grand Jury prize”. For the 1962 Moroccan-born Director, an experienced cut master and writer, meant to “120 BPM”, the processing of the personal life section. In an Interview with the German press Agency (dpa) revealed Campillo: “I was afraid to turn the Film, because I wanted to be with my story of the Survivors of this tragedy.”

Views of an ignorant society

In particular, it went to the Director to the members of the so-called “Act Up”movement, the end of the 1980s, first in the United States-based interest group that wanted to carry the theme of AIDS in the General Public. In France, too, many of those Affected, HIV-Infected and homosexual for a greater attention in the society and founded the French branch of the “Act Up engaged in these years”. Long politicians, business representatives and large parts of the society had tried to the immense impact of HIV / AIDS to downplay. Were no longer willing to accept many of those Affected.

“120 BPM” is also a Film about friendships and love

Campillo tells in his Film, from the beginnings of the “Act Up”movement in France, of first meetings, in the direction of fight and discussions of the participants and the anarchist and militant struggle against an apathetic policy and morally reprehensible machinations of the pharmaceutical industry. Especially the scandal of contaminated blood shook the mid-1980s, the country.

Campillo: “I wanted to fight against my fear of AIDS”

In the second part of the film drama the film then concentrates on the love of two members of “Act Up”movement in the center. Especially important is the lack of information is to him at the time: “I was a member of the AIDS activist group ‘Act Up’,” says Campillo in the Ticker Interview: “I came in 1992/1993, because I wanted to fight against my fear of the disease, because I wanted to educate the Public. The company was established in the 1990s, completely in the dark.” “120 BPM” is now Robin Campillos response, and processing on the events of that time.

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