In Frankfurt’s German film Institute and film Museum visitors with the Stars up close. The exhibition “CLOSE up” shows elaborate costumes from film and television, all designed by costume designer Barbara Baum.
-
Film robes of the Finest in Frankfurt
“Buddenbrooks”
Director Heinrich Breloer in 2008 completed the fourth screen adaptation of the family Saga based on the novel by Nobel prize winner Thomas Mann. That 150 costumes were designed. On the right, the red prom dress of actress Léa Bosco in the role of Gerda Buddenbroook, the wife of Thomas Buddenbrook.
-
Film robes of the Finest in Frankfurt
“The Haunted House”
Film actress Meryl Streep was excited about the white dress she was in the role of Clara del Valle in the film drama “house of The spirits” based on the novel by Isabel Allende wear.
-
Film robes of the Finest in Frankfurt
“Catherine the Great”
For film star Catherine Zeta-Jones in the main role as the Empress of Russia, Catherine the Rococo had to be costumes made.
-
Film robes of the Finest in Frankfurt
Costume design as an art
Barbara tree notes for the Schneider finds himself as a legend in Braille. An original fabric sample conveys the tactile quality of the material used. Is complementary to the tactile mediation through audio description.
-
Film robes of the Finest in Frankfurt
Costumes for Fassbinder films
In the exhibition, a novel, digital screens, which are positioned behind the original costumes. They show the costumes on the body, in the moving image.
-
Film robes of the Finest in Frankfurt
Stars behind the camera
Director Rainer Werner Fassbinder’s costume designer Barbara Baum in a break from filming. Their collaboration began in 1972 with the Film “Effi Briest” and ended after a decade with Querelle, Fassbinder’s (1945-1982) last Film.
-
Film robes of the Finest in Frankfurt
“Fontane Effie Briest”
Movie scene with Ulli Lommel and Hanna Schygulla
-
Film robes of the Finest in Frankfurt
“Buddenbrooks”
Director Heinrich Breloer in 2008 completed the fourth screen adaptation of the family Saga based on the novel by Nobel prize winner Thomas Mann. That 150 costumes were designed. On the right, the red prom dress of actress Léa Bosco in the role of Gerda Buddenbroook, the wife of Thomas Buddenbrook.
-
Film robes of the Finest in Frankfurt
“The Haunted House”
Film actress Meryl Streep was excited about the white dress she was in the role of Clara del Valle in the film drama “house of The spirits” based on the novel by Isabel Allende wear.
-
Film robes of the Finest in Frankfurt
“Catherine the Great”
For film star Catherine Zeta-Jones in the main role as the Empress of Russia, Catherine the Rococo had to be costumes made.
-
Film robes of the Finest in Frankfurt
Costume design as an art
Barbara tree notes for the Schneider finds himself as a legend in Braille. An original fabric sample conveys the tactile quality of the material used. Is complementary to the tactile mediation through audio description.
-
Film robes of the Finest in Frankfurt
Costumes for Fassbinder films
In the exhibition, a novel, digital screens, which are positioned behind the original costumes. They show the costumes on the body, in the moving image.
-
Film robes of the Finest in Frankfurt
Stars behind the camera
Director Rainer Werner Fassbinder’s costume designer Barbara Baum in a break from filming. Their collaboration began in 1972 with the Film “Effi Briest” and ended after a decade with Querelle, Fassbinder’s (1945-1982) last Film.
-
Film robes of the Finest in Frankfurt
“Fontane Effie Briest”
Movie scene with Ulli Lommel and Hanna Schygulla
The term film material is in this exhibition, it’s fisticuffs: The wardrobe of supers and Stars from history to movies, where the renowned costume designer Barbara Baum was at the factory, are to be admired in its full glory. In the movies itself, they were sometimes only for seconds, and only in a few Details. For her work Barbara brown 2015 has been with the German film prize Lola excellent.
“Buddenbrooks” (2008)
More than 50 original costumes from international studios complemented by working papers from more than 50 years, provide time for Directors such as Rainer Werner Fassbinder, Volker Schlöndorff, but also Stanley Kubrick are evident in the approximately 460 square meters, the interactive Exhibition. A variety of fabric samples, tactile stations, as well as Audio and video installations invite the creation process and the amazing effect of tree creations with the eyes, ears and hands to understand.
Tactile Station: Silberlamé dress from “Lili Marleen”
The exhibition is particularly targeted at blind and visually impaired people, for which there are tactile models and audio descriptor lists, with which the exhibits groping and listening to open up. The special exhibition “up CLOSE and personal. The film’s costumes by Barbara Baum” is up to 10. To see the March of 2019 in the German film Institute and film Museum in Frankfurt.
is/ks (deutsches-filminstitut.de)