Natascha Sadr Haghighian played in 2019, the German Biennale pavilion in Venice

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The artist Natascha Sadr Haghighian recorded in the coming year, the German pavilion at the art Biennale in Venice. It bears the Pseudonym Natasha Süder-Happel-man and for the presentation of a stone mask.

To your presentation the artist on Thursday (25. October) in Berlin, with a stone-like mask that she wore like a helmet on the head. Sadr Haghighian said nothing, but let your personal spokeswoman Helene toleration accompany that you will work contribution, according to the Institute for foreign cultural relations at the Biennale. For the project, bears the name of Natasha Süder Happel, man. The artist has held at the University of the arts Bremen since 2014 a Professor of sculpture. It was an “important voice in contemporary art”, – stated in the Selection notice.

“Their work is articulated in Text, image, space and Sound,” said Franciska Zólyom, curator of the German pavilion and Director of the gallery for Contemporary art Leipzig. The artist bring the poetic, the imaginary and the critical potential of art in a variety of contexts and situations to develop.

Artist and curator: Natasha Süder-Happel-man (on the left, with the stone helmet) and Franciska Zólyom

Turn to art

Natasha Süder Happel, the man plays with identities. In 2004, she founded with bioswop.net a exchange for CVS, in order to direct the focus away from the artists, to their works. Your own biographical information changes permanently, both at exhibitions and in the Internet. According to her Wikipedia entry, she came in 1967, in Budapest, or in 1979, in Munich or Kassel, or perhaps in 1966, in London, in Teheran in 1953 or 1967 in Sydney to the world.

Natascha Sadr Haghighian was represented at the Documenta 13 at Documenta 14 she was a member of a collective. Their Work on political issues, her sound installation, “pssst Leopard 2A7+” impersonated share the name of the German tanks with LEGO.

58. Art exhibition of the Biennale di Venezia starts at 11. May 2019 and ends on December 24. November. The participation at the German pavilion is full of promise: In the past year, by Susanne Pfeffer, curated by the artist Anne Imhof crafted post won the Golden lion. And almost parallel to the idea of Happel’s, the Berlin Academy of the arts announced that the 2015 at the German pavilion participating filmmaker Hito Steyerl receives the Käthe-Kollwitz-prize, 2019.

tla/nf (dpa)